Task 4 – Evaluation

As a whole, the video turned out very well. However, there were some features which were missing, such include the title of the project. Another aspect which could have been improved in order to reinforce the uncanny feel was the track. The main positive feature is that it is easy on the eyes rather than being too complicated to understand, this helps in order to get the message through to the audience in an efficient manner.

The visual aspect, that is; making good use of lines, patterns and different textures enhance the uncanny feel of the place while viewing the trailer. Personally, I believe that this unit has given me a different perspective on what makes the visuals of a project efficient. Throughout this unit, I feel that specific features, which previously I did not know how to create and interpret and therefore dismissed, are more significant to the audience than I would have already thought. An example of this could include the negative space in a frame, which I would have previously thought to be empty space. However, now I understand that this area can be more than emptiness as it can be used in a creative manner to further convey the intention of the video.

The name given to this unit is highly suitable for the information that is taught as it is the understanding of how we humans visually interpret certain things and have a negative-positive emotional response to what type of technique is being used to portray the meaning behind the image or video.

When learning how different aspects and features help convey the message behind visuals, it can be quite challenging. This is because trying to learn and understand things which depend on interpretation are not as simple as they seem, as one image can have various definitions which vary between one person and another. This is the primary reason behind having different styles and different ways to portray a single emotion in visual rather than having a one size fits all situation. However, knowing which methods best suit the message can also create a dilemma between people as one might prefer focusing on one feature while others might prefer another.

As with the majority of units, however, in particular with visual thinking, research was vital in order to get a better view on how different people use the techniques we were learning and also appreciating the effect that is being produced. From this research one could further understand how different opinions coming from different people result in different media being applied to various images and videos in order to convey the idea. An example can include Andrew Webb and how he describes Malta through his picture, however keeping in mind that this is only one opinion. Also it could be that one might be proud of his country and thus failing to see eye to eye on the matter.

Within the video I have produced I tried to convey these various effects, moreover different people would find them to be more or less effective depending on personality, culture as well as other aspects related to media they are exposed to on a daily basis.

Since this task was peer reviewed I felt that a better form of feedback was received rather than when getting an opinion from a single lecturer. Firstly because two opinions were given rather than having a single opinion, hence having my work viewed from different perspectives. Secondly whilst reviewing other people’s works I felt that I could further improve my personal skills by learning from their mistakes as well as from their merits.

The right approach for further development is to research more on film noir and go into more depth on how to creatively use the available frame you have in a video or photo. This can be fundamental in journalism and news related aspects of media where the viewer is influenced by the writer or the one investigating. Also had I paid more attention to detail in my edit, I think it would have turned out much better regarding the aspect in the frame and how I portrayed the uncanny trough my medium.

The biggest difficulty for me while working on the task was to cut down the four-minute track down to thirty seconds, with creating an awkward audio for the audience. Had the trailer been required to be forty-five seconds instead this problem would have been much easier to get through. Overall I also think that had it been fifteen seconds longer it would have been easier to convey the message since the topic is quite complex.

In conclusion, I think this unit is interesting as it gives you a new perspective on how to look at media especially with regards to how various feature can all contribute to conveying one main message.

 

Task 4 – Peer Review 2

Overall this trailer is a well put together idea. The music chosen was a right fit for the style of editing used. It makes use of good camera techniques in conjunction with the right editing. The only thing that bothered me is the uneven camera pans in multiple shots.

The uncanny in this trailer reflects the discrimination depending on the different ways we dress and look. Where just because a person dresses differently to what society is used to they can be treated as if they are not normal. The message behind the trailer is established in the first shot.

The location chosen was a good choice however I feel that it was misused. It lacked shots of the old stone on the sides and more atmosphere of the surrounding people in order to provide a better background, rather than an empty shot of the feet.

The first shot is good with a pan of the location, moreover I think that the title is an eyesore giving the shot a negative feel to the scene rather than enhancing it. I think that instead of having a very long pan in an upcoming shot this time could have been used to give the title more importance rather than just placed on the screen.

The second shot was a good reaction shot with the blurred background. I find the next shot to be a boring and long intro, it could have been made shorter. Which in turn would have given you time for the intro as mentioned earlier.

The shot showing the girl’s feet was somewhat confusing with regards to what was the message behind it. Since it was quite a long shot it might have been trying convey a certain aspect which unfortunately did not get through to the audience. However if it was to emphasise further on the different clothing that is worn by the rest of society it could have been shorter.

Personally I found the last shot to be most effective as it was framed beautifully and made the best use of low aperture. The movement of the protagonist with the focus and it’s connection to the environment to me produced a good shot.

I think that the shots are all compatible with the theme but the misuse of editing is what is letting this trailer down. Overall the is consistent filming being around sunset, Negative space is well used and not disregard.

Although all the shots are compatible to the theme given I think that the editing effected the trailer negatively. Overall the filming was consistent being that is was around sunset. In addition the negative space was well used and not disregarded.

Instead of making use of cuts, I feel that cross dissolves would have been a better way to transition between shots as it would have further emphasised the uncanny behind the trailer.

Although this might have been caused when uploading to youtube, one could note the thick black border which can be off-putting. Besides the border, I also found the sound to be too quiet and in order to have it complement the video correctly I put up the volume almost to a maximum.

Since this is only the trailer I am not in a position to comment about the perception of the story but rather how I think it’s going to resolve. I think that the protagonist is going to go through some disturbing events that suggest society around her is hating her.

Being that what we saw was a thirty second trailer rather than commenting on perception I feel I can comment on how I think it is going to resolve. I believe that the central character shown in the trailer goes through disturbing events suggesting that the society around her show hatred towards her possibly because she is not what the society feels is normal for a person.

In conclusion it was a well-presented trailer, with a good idea, good shots, however the editing could have been given some more thought in order to bring the whole idea together as a whole.

-Video credits to Cristina Micallef-

References

Uncanny

YouTube. (2018). Uncanny. [online] Available at: https://www.youtube.com/watch?v=tQTuysElNms&feature=youtu.be [Accessed 14 Jan. 2018].

Composition in street Photography

Luca Vella. (2017). Composition in street Photography . [online] Available at: https://lucavella.com/2017/10/18/composition-in-street-photography/ [Accessed 14 Jan. 2018].

Task 4 – Peer Review 1

The trailer was well put together containing the right tempo, mystery and unknown. The music chosen was a right fit and how the music came in with the heartbeat is a good idea. Making good use of camera techniques in conjunction with the right editing. However the only thing that bothered me is the camera shake of the first shot.

The Uncanny in this trailer is the darkness and the unknown the paranormal. That was clearly marked in the video and even without the title at the end, it would have been clear in regards to context.

One way in which the message behind the trailer is being conveyed is the use of natural light together with the framing. This provides an indication that research was done beforehand in order to find different ways to portray the message.

In the first shot, a silhouette is seen indicating that there is an unknown. The protagonist is a dynamic shape and the surrounding area is a static shape indicating that the “story ” is going to be about her or something revolving around her.  The second shot Leading lines to the unknown at the end of the corridor. Same silhouette style from the previous shot. The next two shots are quite bright producing a contrast conveying the feeling of a brief hope that everything is going to be ok however this is proved to end quickly in the next shot. The last shot is that of a dark one taking the audience back to the paranormal theme that is being presented presented. The final shot is the title that screams at you, indicating that your initial assumptions were in fact right.

The movement isn’t one that’s smooth and natural but rather jerky, questionable and weird then again going on with the same overall theme. Overall the colour of this trailer is that of cool and dark. Negative space is well used and not disregard, the darkness the feel of emptiness is all that brings the edit together.

Rather than using cuts, cross dissolves where used in order to transition from one shot to another and this was another feature that gave it a sense of greater mystery.

The title makes use of font, colour, size and placement in the frame which greatly complement the feeling that is being conveyed in the title.

The location was not chosen at random however with the intention to give the story texture. This texture could be noticed on the walls and also on the floor.

Since this is only the trailer I am not in a position to comment about the perception of the story but rather how I think it’s going to resolve. I think that the protagonist is going to go through some disturbing events that suggest that she’s having paranormal anomalies.

Well done a well-presented trailer with the right idea in mind and the work produced reflects the message that is being delivered to the audience.

 

– Video credits to Idil Demicoli-

 

References

Paranormal – Uncanny Trailer

YouTube. (2018). Paranormal – Uncanny Trailer. [online] Available at: https://www.youtube.com/watch?v=e-kR_9iO8to&feature=youtu.be [Accessed 14 Jan. 2018].

Composition in street Photography

Luca Vella. (2017). Composition in street Photography . [online] Available at: https://lucavella.com/2017/10/18/composition-in-street-photography/ [Accessed 14 Jan. 2018].

Task 3 – Trailer

“Imean uncanny in its definition as ‘strange or mysterious, in an unsettling way'”

Uncanny is places where you don’t see every day but instead that one thing in a year, a decade or lifetime you know.

My interpretation for this is places were a lifetime ago had life and now are abandoned and falling apart. how did the years effect it!

A research backing this is.

Feijen_piano

-My Story-

To highlight with a voice over(that bassy and deep) with the structure and ambient falling apart and making you imagine the life and the movementPage 1Page 2

Here you can find the link to the power point :

Task 3 – Visual Thinking – Trailer

References

Google.com.mt. (2017). uncanny places – Google Search. [online] Available at: https://www.google.com.mt/search?rlz=1C1GGRV_enMT752MT752&biw=1920&bih=949&ei=FwYvWt29NMXeU7KrstgO&q=uncanny+places&oq=uncanny+places&gs_l=psy-ab.3..0i22i30k1.670755.674280.0.674581.14.14.0.0.0.0.103.1291.13j1.14.0….0…1c.1.64.psy-ab..0.14.1291…0j46j35i39k1j0i131k1j0i67k1j0i10k1j0i46k1.0.uNLaUtoW0gw [Accessed 05 Dec. 2017].

European abandoned places

Infocult: Uncanny Informatics. (2013). European abandoned places. [online] Available at: http://infocult.typepad.com/infocult/2013/10/european-abandoned-places.html [Accessed 05 Dec. 2017].

 

HDR – High and Shadow

I was scrolling through social media a few years back and this quote by Lady Gaga –

“If you dont have any shadows you’re not in the light”
Lady Gaga

After  I read the brief, I was sure on what topic I will the use of HDR or the most significant difference in the whites compared to the blacks of the image. This is where I hopped on to google and searched what I have been done before what I found is the following link actually useful when taking the images and editing them.

Link

What I wanted to convey is the shadows and how they hit structure or various objects found on the street to create a more exciting image. While framing the shot the angle from where to take the picture took a big part of the work rather than mounting and setting exposure and the other technical jargon. When choosing the edge knowing were the sun is the most important for this type of imagery and placing yourself 90 degrees from the light (sun) to get more harsh and beautiful photo.

For the images, I wanted to create a shallow depth of field to introduce mystery in the picture. Once the photos were taken these were imported into Lightroom for simple touchups to make the desired output with the levels. The right Black, White, Shadow and highlight level was created then just exported in Jpeg full quality.

When I choose an image it’s either I like or I don’t in its raw form rather than picking out the needle from the haystack. After the image has been chosen the right set of colours and other post-processing is done but less is more.

References

Street Photography with High Dynamic Range

Graphics.com. (2017). Street Photography with High Dynamic Range. [online] Available at: http://www.graphics.com/article-old/street-photography-high-dynamic-range [Accessed 5 Nov. 2017].

Quotes About Shadows (217 quotes)

Goodreads.com. (2017). Quotes About Shadows (217 quotes) . [online] Available at: https://www.goodreads.com/quotes/tag/shadows [Accessed 1 Nov. 2017].

MIS-EN-SCENE

Mis -en -scene
Design aspects of a film
“visual theme / “telling a story.”
when applied to the cinema it refers to everything that appears before the camera
Composition: props, actors, costumes, sets, lighting
– Positioning, movement, visual alignment

Cinematography, Setting(sets), Colour, Lighting, Costumes, Props.

When applies to cinema it refers to everything that appears before the camera

Costumes, PRops – Arrange the set’s compositions with characters with the scene

Take a photo of me in the shot. I in the shot me being the character.

The Office is part of Street Life

Office

Lars Tunbjork

  • minimalistic
  • Colour Palette

People -> part of the enviroment

Very minial and bleak


Lars Tunbjork

Swedish. Born in 1956 in Boras. Died in 2015.

Individual exhibitions

2008 Vinter, Galerie VU’, Paris
2002 Lars Tunbjork, Galerie VU’, Paris
1999 Lars tunbjörk, Galerie VU’, Paris

Group exhibitions

2009 Tout l’univers…, ,
2006 80+80, photo-graphisme, Galerie VU’, Paris
2005 Accrochage d’été, Galerie VU’, Paris
1998 Ouverture, Galerie VU’, Paris

Books

2007 I Love Boras, Steidl
2007 Vinter, Steidl
2005 Dom alla, Journal
2003 Home, Steidl
2002 Office/Kontor, Journal
2001 Images au centre 01, Du patrimoine
1993 Landet utom sig bilder fran suerige, Journal
1989 Paris 200 Ar Efterat, Wiken
1987 Photography Unbounded, Trydells trychen
All of [Lars Tunbjörk’s] energy has focused on the exploration of color, which he treats with a vast knowledge of the research of the great American photographers of the 1970’s.
With time, his work grew more radical, refined, and became less anecdotal, ending with a series in which he no longer represents individuals but imposes the often absurd traces of their presence and actions.

VU, G.

VU, G. (2017). Galerie VU – Lars Tunbjörk. [online] Galerievu.com. Available at: http://www.galerievu.com/artiste.php?id_photographe=27 [Accessed 15 Nov. 2017].

Alex Webb And Malta

Alex Web based on Qoutes on Geothe
Color Contrast Lines.what you want to convey with your message
Convey your message with simple things like love hate.. etc

Background Midground and Foreground
Negative light on malta

Act as a tourist, experiment with the camera.

https://www.magnumphotos.com/photographer/alex-webb/

https://www.nationalgeographic.com/content/dam/travel/traveler/december-january/grand-harbor-fishing-malta.jpg

http://pro.magnumphotos.com/C.aspx?VP3=CMS3&VF=MAGO31_9_VForm&ERID=24KL53Y_H

Task 1 – Defining Ideas. Part 3.

Street life for me is the life we live in but with no one around. When I think of running by my self, this is the type of street life I would like to portray.

When I think on how to shoot a place first I go to the location not with a camera but just with my phone on a note to write down what I like and dislike. Then after mentally preparing for the shoot I go on location and shoot what I have written the first time I went. This helps me visualise mentally what shot I am going to take.

Between the first and the second time, i research online in the form of images and colours to match to what is going through my head to that I vision in my work.

Color Palette.jpg

Colour Board

Mood Board.jpg

Mood Board

References

Flickr. (2017). FEAR – Dublin, Ireland – Color street photography. [online] Available at: https://www.flickr.com/photos/giuseppemilo/24226144354 [Accessed 28 Oct. 2017].

HERE, S. and HERE, S. (2017). Which is Better? Black and White vs Color for Street Photography. [online] ERIC KIM. Available at: http://erickimphotography.com/blog/2011/04/04/which-is-better-black-and-white-vs-color-for-street-photography/ [Accessed 28 Oct. 2017].

Meghan: Street Photography. (2017). Photography Inspiration. [online] Available at: https://meghanstreetphotography.weebly.com/photography-inspiration.html [Accessed 28 Oct. 2017].

Pinterest. (2017). Best 25+ Street photography ideas on Pinterest | Black photography, Street photo and White photography. [online] Available at: https://www.pinterest.com/explore/street-photography/?lp=true [Accessed 28 Oct. 2017].

Pinterest. (2017). Incredible India. [online] Available at: https://www.pinterest.com/pin/256423772511737927/?autologin=true [Accessed 28 Oct. 2017].

Pinterest. (2017). Photography-INDIA. [online] Available at: https://www.pinterest.com/pin/514536326148952210/?lp=true [Accessed 28 Oct. 2017].

Task 1 – Exploring trough images. Part 2.

–Lines–

Line 1

The lines and the perfect grid with the sea and new buildings being built.

Line 2

2 Leading lines to the trees going up.

Line 3

The road leading lines with the empty road implying a quiet town.

Line 4

Two leading lines to the countryside.

Line 5

The Mixture of lines with the stairs leading to someplace else, with the greenery.

–Texture–

 

Texture 1

The texture of the rock its self and the very narrow focus on the surface.

Texture 2

The full frame of the pure Maltese brick – il-Hajt tas-Sejjie?-

Texture 3

The modern construction and all we see in Malta on our streets.

Texture 4

An old pavement that has been tough all the elements it’s natural while giving a textured look.

Texture 5

The way the Light is falling on the Concrete wall.

–Colour–

 

Color 1

The brightest colour of the image is yellow contrasting the rest of the image.

Color 2

The Contrast of the road with the read Box on the side of the road.

Color 3

How the colours don’t “blend” with the environment making them stand out more.

Color 4

The Happiness off the swing set contrasting the loneliness of the park.

Color 5

The colour contrast again with the background with the sun hitting the bench.

–Typography–

 

Typography 1

The industrial look of the typography.

 

Typography 2

Creatively using typography to showcase football teams.

Typography 3

The huge and bold sign with the simple printing.

Typography 4

Typography showing an important event in time signifying the importance of society.

Typography 5

An old the deteriorated texture over time with typography.

 

 

 

 

 

 

Task 1 – Street Life. Part 1.

Everyone has a perception of street photography, this is up to the Photographer behind the camera to choose what the viewer will see and perceive in the image.

The Following Images are my view on street photography…

st-julians-bay-streetvalletta-street

collisions_republikamartha-cooper-nyc-subways-image-via-instagrafitecom

Henery Chalfant is an American photographer and videographer specialising in street photography with trains that have been painted over by graffiti artists. His primary research in life is subway art as he wrote multiple books in this field.

His first book titled subway art published in 1984 is his book that

“presenting stunning photographic documentation of the burgeoning movement in New York” –  Chalfant 1984 cover of Subway Art.

The following picture can be seen as a beauty but also the damage these street Artists have on the company running the trains.

This image has an image in an image as the graffiti its self is an image in the image the Chafalt is portraying. The viewer can appreciate the time that it took the artist to layer all that paint to finish with that masterpiece. The style the image was taken is the standard Henery Chafant stuck to all these years which seems to have the most impact on the viewer, a well-composed image with the symmetry of the train being present in the picture.

The Creative value of this image is that the photographer is in the right spot at the right time of day to snap the moment in time the graffiti will be stuck in his vision of the scene.

References
Amazon.com. (2017). Cite a Website – Cite This For Me. [online] Available at: https://www.amazon.com/Subway-Art-Henry-Chalfant/dp/0500292124 [Accessed 28 Oct. 2017].
Google.com.mt. (2017). henry chalfant – Google Search. [online] Available at: https://www.google.com.mt/search?rlz=1C1GGRV_enMT752MT752&q=henry+chalfant&spell=1&sa=X&ved=0ahUKEwjB9Or88ZLXAhVBJFAKHbhoCOMQBQgkKAA&biw=1920&bih=949 [Accessed 28 Oct. 2017].
Henrychalfant.com. (2017). Henry Chalfant. [online] Available at: http://www.henrychalfant.com/#filter=.home [Accessed 28 Oct. 2017].
Maltauncovered.com. (2017). Cite a Website – Cite This For Me. [online] Available at: https://www.maltauncovered.com/wp-content/uploads/valletta-street.jpg [Accessed 28 Oct. 2017].
Openwallsgallery.com. (2017). Cite a Website – Cite This For Me. [online] Available at: https://openwallsgallery.com/street-art-photography/ [Accessed 28 Oct. 2017].
Openwallsgallery.com. (2017). Cite a Website – Cite This For Me. [online] Available at: https://openwallsgallery.com/artwork/jordan-seiler-republika/
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